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Linda Stefkovic's avatar

Thank you for sharing Bret. I'm a huge Lee Morgan fan. Or was when I was deeply engaged in the music. It's always a treat when your writing brings back those memories.

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R.J. Marx's avatar

Good stuff. One of the greats!

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Bret Primack's avatar

fo sure

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WTK's avatar

A few years ago, I was listening to a reissued Lee Morgan CD from this period I had recently bought, and looked at Frank Wolff's candid studio shots. My God, I remember thinking, he was just a kid! And playing like that! What a great artist, and what a tragedy his life ended so early.

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Arthur Rosch's avatar

My favorite trumpet player. Ever.

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Arthur Rosch's avatar

Further observations of Lee Morgan's style: flutter tongue, double and triple tongue, slides, growls, loops. I love his looping lines. Trumpet was my first instrument as a kid.

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Arthur Rosch's avatar

On Music

The most fun my fingers can have is when they

twiddle the keys, fingers going round and round amid

black and white follicles

jungles

of notes like towers

chords like suns

feeling for the right spot

to sit on the right spot

the fingers don’t forget the flowering pleas

to the pleading flowers. Ancient note structures

float in the desert. Across the dunes camel tracks

vanish in the wind.. Nature's heritage from generations

lurching rhythms hustle elbows knees flying.

I’m working on it he says.

mocking the entire enterprise.

I can puff the keys with different parts of my fingers.

A brush to the side of my callused index; a flurry across

the black notes. Hands are wing- like in their facile adaptions.

No disorder survives. Music resolves most of the time

in harmony or obvious discord but it resolves

it doesn’t leave you hanging there wondering

what happened? Did he walk out on stage

and break a bottle over his head?

Remember this always: it takes two bottles over the head

to qualify as music.

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Bobby Sanabria's avatar

Another knock out piece by you Bret about another one of my heroes.

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Todd Coolman's avatar

Bret, you have written a brilliant overview of why Lee is so significant in the jazz trumpet lineage, and I can easily imagine anyone reading your piece will quickly locate some Lee Morgan tracks and take a deep dive. I wish I could have heard him in person. He died when I was a Senior in high school.

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K Todd's avatar

Great columns like this are the reason I subscribed in the first place!

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Bret Primack's avatar

Thanks!

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Manuela Thiess Garcia's avatar

Thanks for introducing me to another jazz great I have never heard of.

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Stourley Kracklite's avatar

I thought I was out of of Substack. But you jazzheads keep pulling me back in.https://open.spotify.com/track/3iFlfQ0CXc9URaAvai8VUe?si=s8nlM5VARz2G-VN0qeLX3w

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Robert Fiore's avatar

I’ll have to look into that guy sometime. My only knowledge of him is the Lenny Bruce routine where Dracula complains that Lee Morgan stole all his key men.

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Carl Schell's avatar

This was such a good read. Underrated talent, taken too soon. The Procrastinator was the first of his albums that I bought and it remains my favorite. Guess I need to dive into the full Lighthouse recordings now that it’s “complete.” I know who I’m listening to today.

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Chuck Koton's avatar

Bret, lets not forget that an even younger Lee Morgan played on Coltrane's "Blue Train" in Sept '57! and he sounds pretty mature to me on that recording!

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Justin E. Schutz's avatar

Hangin in the park, Eight track tape playin from my brothah’s “Gangstah Lean”, Lee Morgan, Sidewinder. Sweet memories, great bio on a great musician.

Great stuff, as always. Thanx.

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