Desafinado by Stan Getz and Charlie Byrd from the Verve recording, Jazz Samba, in 1962, jumpstarted American interest in Brazilian music. The single was a huge hit and introduced the world to composer, Antonio Carlos Jobim, the Duke Ellington of Brazil.
"Desafinado" emerged as a defining work during a transformative period in Antônio Carlos Jobim's career, a phase marked by daring musical explorations and an expansion of his artistic horizons. In partnership with lyricist Newton Mendonça, Jobim endeavored to encapsulate the essence of imperfection within the intricate dance of romance. The song's text artfully sketches the portrait of two lovers, each flawed yet fitting together in their collective dissonance, their imperfections coalescing into a harmonious whole.
The song uses rich metaphors and poignant imagery to delve into the fragility and self-doubt that are inextricably linked with the romantic experience. It delivers a compelling narrative that champions the acceptance of individual imperfections, positing that they contribute to our distinct humanity and that even amidst the discordant episodes, authentic love endures.
Beyond its poetic prowess, "Desafinado" stands as an emblematic musical achievement that displays Jobim's brilliance as a musical craftsman. The piece is a hallmark of the bossa nova style, a movement that transformed the soundscape of Brazilian music and captured the admiration of a worldwide audience. Jobim's masterful composition melds graceful harmonies, a touch of rhythmic complexity, and a tapestry of elaborate melodies to cast a spellbinding sonic experience.
Bassist Keter Betts, one of the most deeply influential musicians on succeeding generations in DC. played bass on the recording and was the catalyst for the session. Charlie Byrd's brother Joe also played guitar and some bass on the session. They were joined by two drummers: Buddy Deppenschmidt and Bill Reichenbach. The album was recorded at All Souls Unitarian Church in Washington, D.C., on February 13, 1962 and released in April of that year.
Perry Como, a very popular singer and television star, featured Getz and Byrd on his NBG program on Wednesday, October 17, 1962.