Discussion about this post

User's avatar
Jan Freijser's avatar

It would be Coltrane for me. In my 50+ years of listening, the explosive pyrotechnics of genius guitar players often grew beyond my absorption capacity, and that happens a bit with "A Love Supreme" here.

Although I love the Indian influence coming through from McLaughlin, sounding like Ravi Shankar at times. This beautifully befits the context, as Coltrane admired Indian music, and met Ravi Shankar in 1964. Had they met a bit earlier, Ravi Shankar might have been an incredible addition to the line-up in the making of Coltrane's Love Supreme. I'm just dreaming here!

All of Coltrane's sound-making provides complex sets of intonations, which evoke movements, facial expressions, things that cannot be expressed in words per se.

This is why I was astonished to learn (16 years ago or so) that Anne Teresa De Keersmaeker had created a choreography to A Love Supreme. I went to see it live. It was the longest lasting non-stop immersion in goose-bumps and simultaneous laughter and tears I ever experienced.

To me De Keersmaeker had succeeded in matching the movements to the music.

This short clip shows the start. After 48 seconds of silence, Elvin comes in with the big Chinese cymbal:

https://youtu.be/LwU8C27C78o?si=ymYJRI5ah5i93dpN

Expand full comment
Richard Wells's avatar

I tried so hard to get into this album, but couldn't get past the first five minutes. It stayed in my LP collection for years, and didn't leave my shelf until (like an idiot) I gave all my lp's away and switched to cd's.

Expand full comment
6 more comments...

No posts