The Art Ensemble of Chicago
Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Famoudou Don Moye
The Art Ensemble of Chicago were pioneers in the avant-garde jazz movement, pushing the boundaries of what jazz music could be. They incorporated a wide range of instruments beyond the standard jazz ensemble, including bells, bicycle horns, and various objects not traditionally considered musical instruments.
The group was known for blending a variety of musical styles and cultural influences, including sounds from African, Asian, and European music traditions. This fusion created a unique sound that was both global and deeply rooted in the African American experience.
They placed a significant emphasis on improvisation, allowing for individual expression within the context of a cohesive group sound. Each performance was unique, showcasing the spontaneity and creativity of the musicians.
Their performances were also noted for their theatrical elements, with members often wearing face paint or costumes, which added a visual aspect to their shows, making their concerts a multisensory experience.
The ensemble often made political statements through their music, advocating for civil rights and social justice. They were part of the Association for the Advancement of Creative Musicians (AACM), a collective that promoted the development and exposure of avant-garde jazz.
With a career spanning several decades, they influenced countless musicians and ensembles, contributing to the evolution of jazz and experimental music. Members of the ensemble were also educators, spreading their knowledge and philosophy of music to younger generations, ensuring the continuation and evolution of jazz.
The Art Ensemble of Chicago was not just a band; it was a symbol of creative freedom, artistic innovation, and cultural pride that left a lasting imprint on the world of music.
ART ENSEMBLE OF CHICAGO - Berlin Jazzfest - October 31, 1991: Lester Bowie (tp) Joseph Jarman (reeds) Roscoe Mitchell (reeds) Malachi Favors Maghostut (b) Famoudou Don Moye (d)
I agree completely. Four years ago I began serious piano study. I am sidelined momentarily by Carpal Tunnel of my left hand. Working it out, getting it treated. My piano mentor was the late Jessica Williams. She was remarkable!
I was Famoudou Don's first drum mentor. We were living in Detroit near The Artist's Workshop in 67 and 68. My drums were set up in the Workshop and that's where I practiced. I met Jarman, Roscoe, Lester et all. It was a crazy time. I was a kid.